Monday, April 27, 2015

AFIs #80 - The Wild Bunch (1969)



Men, horses, guns, robbery plots. A film that makes a statement about the end of the American West and the aging gunman.

I've watched this before but it doesn't stand out as memorable and it's not pulling me in now on a repeat viewing.


But I have always been a fan of William Holden. He was often overlooked in his early career. 

AFI's #81 - Modern Times (1936)


I struggle with silent films. I can't disconnect from my multitasking long enough to fully concentrate on a silent film. In "Modern Times", Chaplin's iconic Tramp character struggles to survive in an increasingly modern world. 

AFI's #82 - Giant (1956)




George Stevens sits firmly among my favorite directors and he's responsible for some of my favorite pictures, including The More The Merrier, Shane and Giant. 

The film Giant stands as big as the Reata, the Texas cattle ranch owned by the Benedict family the film follows for two generations. 

Jordan (Bick) Benedict (Rock Hudson) meets his future bride, Leslie, (Elizabeth Taylor) while visiting Maryland buying prize horses. Her home state is green and luscious  and when she arrives in Texas as Mrs. Benedict she is welcomed by brown and dust. 

They love and respect each other, but Leslie is always quick to challenge the expected social mores of the times. Everything from men "talking politics" to the segregation between the whites and hispanic, which often stirs the pot between husband and wife. 

James Dean plays Jett Rink, a cattle hand who inherits a small piece of land from Bick's sister after she dies. Jett is the first person to show Leslie, although reluctantly, the poor condition of the hispanic people living on the ranch. Later, once he is a land owner, he builds an oil well. Finally, he sees success, but he falters under it, becoming a jerk and a drunk.

Bick and Leslie have three children, none of whom want to take over the ranch, much to Bick's dismay. To make matters worse for Bick his son, Jordan, marries a hispanic woman, Juana. 

I think that Giant is ultimately about us as a society and how we are changing to be more accepting of all races and equal in gender relations, epitomized throughout the film by Bick and Leslie. In one of the final scenes of the film we see Bick and Leslie in a restaurant with their Hispanic daughter-in-law, their daughter, and each woman's toddler. The owner of the restaurant does not want Juana and her son in his establishment, but after words with Bick he allows them to stay. But shortly after this a group of elderly hispanic people enter the restaurant and the owner asks them to leave. And here Bick intervenes and he and the owner go back and forth in a knock down toe-to-toe fight. Bick fights hard, but ultimately looses the fight. But what he wins is all the better!

Early on Jett has his friendship with Bick's sister, Luz. But after her death he is ultimately alone. His life becomes a pursuit of money (not family like Bick and Leslie) and that is where and why he fails as a person. 

If there is any faults in the film I can only think to call out its length. I'm not sure where to cut, but at nearly three hours is a pretty long viewing.

James Dean died in a car accident just days after shooting wrapped on Giant. Oh what roles would he have gone on to act for us? We'll never know. I will close here by mentioning two memorable moments of his acting in this film. Remember the scene where he pulls up in his rickety truck to the house at Reata after striking oil? And the scene where he's just inherited the land and is out strutting about eventually ending up on the water tower? Brilliant, just brilliant. Baby, that's good acting.




Friday, April 10, 2015

AFI's #83 - Platoon (1986)


Charlie Sheen plays Chris Taylor, a rich and naive kid who volunteers to serve in Vietnam. War changes him. War is hell. It's uncomfortable viewing, but if you want to see what war looks like, watch this. Also starring Tom Berenger and Willem Dafoe.

Thursday, April 9, 2015

AFI's #84 - Fargo (1996)


Jerry Lundegaard (William H. Macy) is an idiot who needs money and does something stupid to try to raise that money--he has his wife kidnapped with the plan to extort ransom from his wife's wealthy family. It all blows up on him, sending Sheriff Marge Gunderson (Frances McDormand) to investigate. 

The wood chipper scene in memorable. 

Thursday, April 2, 2015

AFI's 85 - Duck Soup (1933)


The four Marx Brothers star in this mad-cap, zany story about rescuing the country of Freedonia from bankruptcy. Mrs. Teasdale agrees to donate 20 million dollars if Rufus T. Firefly (Groucho) is appointed president. Harpo and Chico play spies out to cause trouble. Zeppo plays a straight man.

Storyline or no storyline, what stands out here is there zany comedy and slap stick routines. A must-watch.

AFI's #87 - Frankenstein (1931)



Henry Frankenstein is a brilliantly crazy scientist. He has been experimenting with re-animating animal cadavers and decides he's ready to try his hand at humans. He gathers several dead bodies by grave robbing and stealing a body from the gallows. He also send his sidekick into a medical university to steal a brain. He happens to walk out with the brain of a criminal. After assembling these bodies and brains into one being, his father finally talks sense into him and Henry agrees his creation should be destroyed. But he comes alive just as he's about to be killed, and easily overtakes the man trying to kill him. So then the monster goes wandering around the community, causing trouble. The worst when he plays with a  young girl who is throwing daisies in the river and watching them float like boats. The monster enjoys this, and tries throwing the girl in to watch her float. Well, she sinks! The townspeople and Henry hunt the monster down until they kill him. 

Boris Karloff gives a wonderful performance as the monster in director James Whales classic horror story.

Wednesday, April 1, 2015

AFI's #89 - Patton (1970)


This is the story of General George S. Patton, Jr. during World War II. The Germans feared and respected him, the Allies misunderstood him. It's a movie with a lot of talk from a man with a hoarse voice that didn't pull me in anymore now than it did 25 years ago in my film studies class.

The film won an astounding SEVEN Oscars, including for Best Picture, Best Actor, Best Director, Best Writing (to Francis Ford Coppola), Art Direction, Sound and Editing.